Babyblaue have given us a high rating on this review.
Here’s the raw translation from google to give you the gist 😉
A colorful and multi-faceted instrumental program can be found on The Wheel, with occasional krautrockigen, Canterbury-like and crimsonesk-frippery reminiscences. A quite extensive instrumentation starts here probably the band started as guitar-sax-drums-trio. Electronically amplified and acoustic guitars, all sorts of wind instruments, drums and percussion, and various electronic sounds, keyboard sounds and effects equipment mainly produce the music. The result is a mix of punchy modern Prog driven by Dinsdale’s drumming, freer electronic tinkering, jazz-rocking, extensive retro-ingredients and a little experimental-avant-garde (avant-prog).
A little Krautrock à la New! and Harmonia, or related motor-repetitive rhythm patterns, a dash of Canterbury, especially minimalist e-piano patterns in the spirit of soft machine (you can hear “Canterbury Steps”) or corresponding sax or flute lines, a few mellotronartige patterns, a good shot more recent King Crimson, embroidery and Frippsche soundscapes – the retro-ingredients – are mixed here with jazzy sax lines, sonorous flute pads (also recorder), all kinds of echoing and resounding guitar excesses, dense electronic braids, chamber-progressive reed horns, sonorous key carpets and innumerable tonal, shimmering, honking, hissing, fiependen, growling, whispering and whining instrumental ornaments. Sometimes very rhythmic, sometimes shapeless-floating, this music glides along, sonorous and voluminous, sometimes very powerful and dynamic, but often also playfully meandering or hypnotic-cosmic wafting (listen to the concluding “London Steps”).
“Das Rad” offers a very colorful, retro-modern Proggemenge with a lot of reverb and atmosphere, which Proggerinnen and Proggern, the edgy instrumental Progs appreciate with strong electronic components and jazzy impurities, should appeal very much.