From Audion / Ultima Thule
ADIOS AL FUTURO
No, not a bunch of Teutonic radicals, Das Rad got their name (partly, I think) from Steve Dinsdale’s first electronic band named DAS, who were the precursor to Radio Massacre International, and adding the first letter of each member’s surname (which is also the first 3 letters of Radio), you end up with Das Rad: Nick Robinson (guitars, effects) probably best-known for being in the 80s Sheffield new-wave band They Must Be Russians, Martin Archer (winds, keyboards, electronics) head honcho of Discus Music, and the aforementioned Steve Dinsdale (drums, synth). Not that Das Rad bear any resemblance to DAS or Radio Massacre International. They are a bit more “rad” and unclassifiable than that! Martin and Steve had previously worked together in Orchestra Of The Upper Atmosphere, and thus some of their interaction from that project can be heard in Das Rad too. But, that said, none of the music is really what one would expect from either.
The eponymous debut CD covers a lot of ground in its twelve tracks, from the upbeat and groovy to the abstract or moody, in fact so much ground that it would be pointless to do a track by track review. Basically, the disc starts with an upbeat number that kind of reminds me of that old 70s outfit Quiet Sun (with Phil Manzanera) given a lively modern update, then we go mid-tempo, atmospheric and moody, majestic, then light classical acoustic, before then getting funky with synths and sax. Track 7: Sehnsucht does much of the former all in one track, getting a little Lard Free like, it moves through upbeat and more low-key phases (the latter with reverse Frippian guitar and multi-voiced saxophone), and crams a lot into its 5:43 duration. The three most experimental tracks all end with the word “Steps” and feel improvised, all with lots of nice expressionistic noodling on guitar by Nick. In all, not a bad debut, and one with many surprises.
ADIOS AL FUTURO has a different focus, and a very live sound – actually it sounds like they’re performing in a cave, which is odd! The opening number Inside Reverse, feels a bit like the late 1980s international German based combo Dark with David Torn on guitar, but with lots of extra twiddly bits and Nick Robinson gets a tad more freaky than Torn ever did. Buzz Line is a different high flying fusion, which reminds me of someone (I just did a check), yes – it’s somewhat like Phil Manzanera circa DIAMOND HEAD, with a little bit of Tangerine Dream in the sequencer line.
Other tracks run a wider range of styles, Deuce Of Gears being more freeform experimental, and a variety of fusions, some of which I’m thinking Bruford – I could be right. There’s a very funky groove at the heart of Oslo Star, which seems to be a Terje Rypdal dedication. And then Tiefes Blau ends the disc with a 10 minute slow majestic beat and everything but the drums immersed in a crazy haze of echoes and reverb.
So, that’s two highly creative instrumental fusion albums that cover a wide variety of styles whilst gaining their own style along the way. They’ve also issued a 10″ record, which I’ve not heard and are working on a third album!