All About Jazz review

Fine review here.

More from the imaginary artistic world of multi-instrumentalist, multi-reedman, producer Martin Archer and associates is a welcome surprise. Then again, the artist’s Discus label offers a huge discography devised on dissimilar, futuristic and unorthodox outcomes. Other than the one-off modern jazz outings, Archer is a crafty, forward-thinking musician, spanning numerous ensembles, large and small. Here, the trio seemingly abides by a compose as-you-go rite of passage that embeds experimental jazz fusion, psycho pop, classic progressive rock and a slew of abstractions via a polytonal soundstage amid the label’s customary audiophile grade sound engineering.

With Steve Dinsdale’s perky backbeats and the soloists’ quirky and/or melodic themes, many of these works are treated with airy and streaming electronics-based backwashes, occasionally tinted with 1970s style Krautrock stylizations. Moreover, several motifs convey semblances of distress, pleasure and wit, aAlthough they play it even keel on “Boom,” which is a tune concocted with a harmonious synth line, fuzz bass and mellotron voicings outlined within an up-tempo prog rock cadence.

“Sehnsucht” is punched out by the drummer’s funk-rock beats, topped off by Archer’s yearning sax soloing and guitarist Nick Robinson’s hard strumming chord passages and intensifying phrases, as the band overlays the moving parts with a diminutive theme. Other works feature Archer’s laid-back jazzy sax grooves, off-centered constructions, drifting EFX statements, delicately executed sound-shaping mechanisms and wacky synth mutations. But Robinson multi-tracks guitars on the classical-flavored solo etude, “Fernweh.” Indeed, the variety of the track mix morphed with a parade of disparate tonal sequences and an abundance of solid improvisations loom as a persuasive set of developments on this gratifying studio date.

Glenn Astarita