Rythmes Croises review

First of all, Steve Dinsdale, who plays drums and sometimes keyboards in the legendary English electronic trio Radio Massacre International. Then there’s Nick Robinson, an absolute ace of guitar loops, which he brings to life, evolve and disappear at will, like a magician of sound. Finally, Martin Archer, who as an accomplished multi-instrumentalist, plays saxophone, clarinet, flute or keyboards, officiates in nothing less than Orchestra Of The Upper Atmosphere and Combat Astronomy, and who, of course, also founded the label Discus Music.

So when three musicians of this huge calibre enter the same studio, we are already certain of the stratospheric quality of the result. In fact, therefore, the DAS of Adios Al Futuro remained the same as for Das Rad. And the level of play and composition also remained the same, ie quite ruffled. This gives eight rich, dense and exciting pieces, from which stand out in particular the two major and magnificent pieces that are Inside Reverse and Tiefes Blau, which last more than ten minutes. All this is bold, refined, mastered, always excellent. Very great art, really, just like the first album.

What has changed, because obviously something has changed, is the urgency distilled in large drops in all this. Yes, we say goodbye to the future, as an echo of the “No Future” of punks, and we hurry to live while we still can, to enjoy the good time we still take before tomorrow is nothing! So DAS RAD puts even more of everything into its already fabulously rich recipe. More rhythms, more guitars, more mellotron, more of everything Itell you!

In a 1970s musical film (whose title I forget), a guitarist said to the other members of his band: “You have to play hard so you don’t hear the world fall apart.” Adios Al Futuro is a bit like that, one last frenzied dance before today falls into oblivion. But when it’s done by musicians of this level, we console ourselves with the coming apocalypse by thinking that it will be after all a demented reminder at the end of a monstrous concert!

Frédéric Gerchambeau

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Nick Robinson

One of England’s only professional origami artists, with 75 books on the subject to his name. His early musical career included Typhoon Saturday, (who spawned chart-toppers “Living in a Box”)  who had a deal with Polydor and released 3 singles to minimal success. 

Another band was Dig Vis Drill. Those that saw them in the early 80’s felt this band were destined for greatness. They had a unique and awesome sound, a live act second to none, they were confrontational, challenging, intelligent and fronted by motor-mouth Ogy McGrath, a cross between Woody Allen and Attila the Hun.

From the mid 80s, Robinson began to explore improvised music (supporting Archer’s band “Bass Tone Trap” at a local gig). His path led to his current main activity performing and recording solo, looped guitar soundscapes. Prog legends Haze gave him lots of support gigs & subseqently invitied him to contribute a solo(!)  track for one of their albums.  He produced and played on 4 albums by the loose improv collective Meson. He contributed guitar to an album by Canadian maestro Chris Meloche. He has contributed several tracks to Chain Tape Collective projects. He provided guitar & loops for an album with another Archer project called Combat Astronomy. He  also performs with Herve Perez working under the banner of “String Theology”.  He had a CD released by the “Lost Garden” duo with former Comsat Angel Andy Peake. Other local collaborators include John Jasnoch, Howlaround & Charlie Collins.

His website has extensive information, audio, video, a discography and a blog covering midi, ableton and live looping amongst other topics.

Robinson and Archer had played a variety of gigs together in different formations so when Martin suggested bringing drummer Steve Dinsdale into the mix, Das Rad was born.

Steve Dinsdale

Drummer/Keyboardist cut his teeth on the Teesside and Sheffield music scenes  before moving to London in the late 80’s. Drummed with Honey Smugglers who recorded indie-classic single `Listen’ in 1990, and who are still asked regularly to appear on period compilations.

Joined T.V. Eye alongside ex-members of Eat and future celebrity-botherer and `Game Of Thrones’ star Paul Kaye. Gave up dreams of stardom after returning from holiday to find that said singer had gone off to live on a Kibbutz, and the guitarist was suddenly number one in the charts with a record he’d arranged for an unknown female singer with an eye patch.

Formed electronic improvising trio Radio Massacre International playing keyboards, electronics and drums with oldest friends and collaborators Duncan Goddard and Gary Houghton, who over a 25-year career have played dozens of concerts in the UK, Europe and USA as well as appearing on an MTV Europe co-host. The discography currently stands at some 60 or more releases including a trio of albums for acclaimed US label Cuneiform, and five solo albums made over the last ten years.

Performed as Drummer and/or Floor Percussionist with the Damo Suzuki Network on some half dozen occasions, one of which has led to a number of collaborations with Martin Archer including Orchestra of the Upper Atmosphere which was founded in 2009 and has since made four albums, and Engine Room Favourites the 10-piece Jazz ensemble.

And now…Das Rad.