Soundprojector review

Latest Discus Music release is Das Rad’s self-titled album (DISCUS 75CD) …this trio of players is Martin Archer plus guitarist Nick Robinson and drummer Steve Dinsdale, and they started it a couple of years ago just as a way they could have fun playing what they call “motorik music”. Drummer Dinsale has appeared on previous Archer projects, but guitarist Robinson is new to me. The plan is to sometimes work with arrangements and give themselves the discipline of a framework, while still hewing true to that spirit of free playing and improvising they love so well. Archer contributes woodwinds, but also keyboards and electronics, and though the nucleus of the band could be called a sax-guitar-drums thing, there’s evidently plenty of scope to lushen up the arrangements into something pretty fruity.

This is one of the more enjoyable Discus items we’ve heard for a while – pretty much in the mode of open-ended electronic rock music not far apart from some of your favourite krautrock and prog records – and sometimes edging into the same sort of fusion-ish territory as Gary Boyle, Association P.C., or Arte e Mestieri. Even the disk artwork is designed to resemble the famed Harvest label of the 1970s, home to everyone from Kevin Ayers to Quatermass. While sometimes this very melodic and accessible music may start to feel a little cloying and sweet if heard for long periods, the musicianship is exceptional, and it’s clear that all players are not just enjoying themselves but fulfilling a deep-seated need to make this kind of music. As ever with Archer records lately though, I find there’s just so much of it; the material could have been edited down to LP length to produce a much punchier result. But Archer’s generosity of spirit cannot be contained, and we all benefit from this largesse.

The track titles all have European references and themes, and this is intended as a protest against the “political and social insanity” that is Brexit. “We think of this as a European record by European musicians,” states Archer firmly. Music like this is the perfect riposte to narrow-mindedness and to those who would deprive us of freedom of thought; it’s a melodic advert for freedom.

Original review

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Nick Robinson

One of England’s only professional origami artists, with 75 books on the subject to his name. His early musical career included Typhoon Saturday, (who spawned chart-toppers “Living in a Box”)  who had a deal with Polydor and released 3 singles to minimal success. 

Another band was Dig Vis Drill. Those that saw them in the early 80’s felt this band were destined for greatness. They had a unique and awesome sound, a live act second to none, they were confrontational, challenging, intelligent and fronted by motor-mouth Ogy McGrath, a cross between Woody Allen and Attila the Hun.

From the mid 80s, Robinson began to explore improvised music (supporting Archer’s band “Bass Tone Trap” at a local gig). His path led to his current main activity performing and recording solo, looped guitar soundscapes. Prog legends Haze gave him lots of support gigs & subseqently invitied him to contribute a solo(!)  track for one of their albums.  He produced and played on 4 albums by the loose improv collective Meson. He contributed guitar to an album by Canadian maestro Chris Meloche. He has contributed several tracks to Chain Tape Collective projects. He provided guitar & loops for an album with another Archer project called Combat Astronomy. He  also performs with Herve Perez working under the banner of “String Theology”.  He had a CD released by the “Lost Garden” duo with former Comsat Angel Andy Peake. Other local collaborators include John Jasnoch, Howlaround & Charlie Collins.

His website has extensive information, audio, video, a discography and a blog covering midi, ableton and live looping amongst other topics.

Robinson and Archer had played a variety of gigs together in different formations so when Martin suggested bringing drummer Steve Dinsdale into the mix, Das Rad was born.

Steve Dinsdale

Drummer/Keyboardist cut his teeth on the Teesside and Sheffield music scenes  before moving to London in the late 80’s. Drummed with Honey Smugglers who recorded indie-classic single `Listen’ in 1990, and who are still asked regularly to appear on period compilations.

Joined T.V. Eye alongside ex-members of Eat and future celebrity-botherer and `Game Of Thrones’ star Paul Kaye. Gave up dreams of stardom after returning from holiday to find that said singer had gone off to live on a Kibbutz, and the guitarist was suddenly number one in the charts with a record he’d arranged for an unknown female singer with an eye patch.

Formed electronic improvising trio Radio Massacre International playing keyboards, electronics and drums with oldest friends and collaborators Duncan Goddard and Gary Houghton, who over a 25-year career have played dozens of concerts in the UK, Europe and USA as well as appearing on an MTV Europe co-host. The discography currently stands at some 60 or more releases including a trio of albums for acclaimed US label Cuneiform, and five solo albums made over the last ten years.

Performed as Drummer and/or Floor Percussionist with the Damo Suzuki Network on some half dozen occasions, one of which has led to a number of collaborations with Martin Archer including Orchestra of the Upper Atmosphere which was founded in 2009 and has since made four albums, and Engine Room Favourites the 10-piece Jazz ensemble.

And now…Das Rad.